I wish I had a time machine, because I'd like to go into the future and head to my local video store so that I could buy the DVD of Gone Baby Gone. As it is, I'll just have to live with going to my local theater for another showing.

     I've(deservedly) bashed a lot of bad movies on this site, and praised the good ones, which were few and far between. Holly-wood doesn't put out much that's good these days, and when a rare film comes out of the gate with all cylinders firing and hits absolutely every mark, it must be cherished. My good friends know that I'm really looking forward to next month's American Gangster with Denzel Washington and Russell Crow. Yet as good as I believe that movie might be, I feel certain that I can claim it won't touch Gone Baby Gone which is, in a word, brilliant.
     I just can't believe that it's the directorial debut of Ben Affleck!

     Ben Affleck, of all people, who couldn't order cheese on toast and make you believe it. Ben Affleck, who will more than likely never live down the megabomb known as Gigli. Ben Affleck, scourge of moviegoers everywhere, has delivered a film--based on the novel by Dennis Lehane(the overhyped Mystic River) with screenplay by first-time scripter Aaron Stockard--which is mov-ing, poignant, memorable and populated by 100% believable characters! How? How did he do it? Is this the payoff for him selling his soul to the Devil all those years ago to acquire his fame? If so, then the price was actually worth it.

     The story begins in Boston, where a young child named Amanda McCready(Madeline O'Brien) has been abducted from her home in the middle of the night. While police have begun to diligently investigate the case, the family reaches out to Patrick Kenzie(Casey Affleck) and his girlfriend Angie Gennaro(Michelle Monaghan), who are fledgling detectives. The couple has never handled a missing child case before--they usually deal in finding adults who are scofflaws or otherwise fall in between the cracks--but Patrick vaguely knows Helene(Amy Ryan), the mother of the missing child; she was a senior in high school when he was a freshman. Although Patrick and Angie don't have children of their own, after a brief conversation with the child's uncle Lionel(Titus Welliver) and aunt Beatrice(Amy Madigan), Angie's mater-nal instincts kick in, and she changes her mind from not wanting to get involved to throwing her full support behind her boyfriend on taking a look into the case.

     They are initially met with skepticism by Police Captain Jack Doyle(Morgan Freeman), who dismisses them as too youthful to know what they're up against. Yet after a brief discourse on the family's legal right to hire outside investigative help, Doyle reluctantly agrees to have them on board, and places veteran detectives Remy Bressant(Ed Harris, real-life husband of Amy Madigan) and Nick Poole(John Ashton) as their liaisons for the duration. It turns out Doyle's own daughter was abducted and murdered years ago, and so without telling the duo as much, he'll obviously take whatever help he can get to ensure another child never suffers the same fate.

     It doesn't matter whether you're married or single, with chil-dren or without; when a child abduction makes the news, the fear that something abominable is about to happen to a young innocent touches everyone's heart, and here in Gone Baby Gone it's no different. Stone-cold thugs that Patrick has associ-ated with in the past offer their help in giving leads on little Amanda's whereabouts. Amanda's mother Helene is a low-rent trash coke-whore; while having her child taken from her doesn't help her see the light exactly, it helps her come to certain terms with her reality. This might all seem a little bit Hollywoodish, but it's not. In Ben Affleck's capable hands(yes, I know--I still can't believe I just wrote that), every performer in the film achieves a measure of depth in their roles, allowing their characters to be fully fleshed out, even if they don't have much screen time. Every moment is one fraught with tension against a ticking clock. There are several twists and turns within the plot which might seem unbelievable in almost any other film, but they work here! Not one second, not one character, not one line of dialogue in this film is throwaway.

     Later in the film, when a second child is kidnapped(by a diff-erent person than the one who took Amanda) and is tracked down by Patrick and the two detectives, a gruesome discovery is made. When Patrick has the assailant on his knees on the floor, a dark, visceral part of you will cry out for justice to be done. It's a natural reaction, and Patrick's as well flows organically from the core of the moment.

     It's hard to continue to write this review for several reasons, primarily that there are those twists and turns I mentioned earli-er...which are so important to the rest of the story that I risk giv-ing them away by elaborating further on what happens next. Suffice to say that Ed Harris as Remy Bressant gives his best, most earnest performance in recent memory. Morgan Freeman is as perfect in this film as he's ever been, and the relationship between Casey Affleck's Patrick and Monaghan's Angie is com-pletely believable...as are the changes which occur to said relationship because of the missing child case.

     And now a word in brief on Amy Ryan, who plays coke-whore Helene. Having also just recently seen Dan In Real Life, I was amazed to realize this was the same Amy Ryan who plays sister-in-law to Steve Carell's Dan! Her appearance and demeanor are polar opposite to the trashy mom in Gone Baby Gone. This is praise not just for her makeup artists, but for Ryan's abilities as well. Although she's been in such fare as War of the Worlds and the defunct tv series Hack, something tells me the best is yet to come from her. She's one to watch.

     Gone Baby Gone is a surprisingly powerful film, moreso because it was done by a first-time scripter and a freshman dir-ector who remains--as an actor--in the shadow of his more ably talented best friend. Although the casting of Ben's own brother might strike of nepotism, I choose to believe it was simply a mat-ter of the best actor being chosen for the role. And simply put, no one could have pulled off the role of fledgling detective quite like him. The film itself is provacative, the ending well done and one which will leave an audience with something to think and talk about...something which, sad to say, most movies don't do nowadays.

     I'm still waiting for American Gangster...but unless and until that film proves otherwise, I will proudly declare that the best movie of the year has already arrived.
 
 
Official Archives of LanceReviews...
Best Movie of the YEAR!
You want drama, intrigue, tension, great story? Then Go to this one Baby, Go!
Gone Baby Gone: I said it at the header, and I'll say it again; Best Film of the Year!
The fear of child abduction touches the heart of every parent. But what happens when things are not quite what they seem?
Casey Affleck and Michelle Monaghan deliver absolutely believable performances as two young detectives who might be in over their heads.
Morgan Freeman co-stars as a police captain with a personal stake in the missing child case the detectives are investigating.
Casey Affleck holds his own against Freeman and Harris with an assured, powerful performance. Now if only Ben will plunk down the change for whatever acting course his l'il bro took--!